AALIYAH ANDERSON

A Negro Possession

Black coffee tucked into my cherry-red gingham skirt, I
          was conversation’s cuticle; a numerous response
to corners; media rex for dried mops & chemistry of axolotls,
          I dropped my reusable bags onto the floor, no,
the ground, or the sidewalk, which bikes, though
          not welcomed, approach—& go.

I am told of the violence, statistically
          speaking, in this world, yet I teethed
my scaled emerald tail as I risked my life searching
          for creamer, oatmilk sickly enough to
make herbal silly. I relearned cities then: Geneva,
          Brussels, a Québec inside a Québec.
Some aid between my thighs, careless
          stretch marks gained, hollowed as I teetered
on morality—if I’d been taken, at least I would’ve
          crossed that intersection, chafing unheard
by public buses. At least I would’ve told
          citizens the final state of my addiction, given
apologies in the same way I’d recently taken
          to excusing my name: I know—or

I am aware—& I’m so sorry. To prevent
          further difficulties, I’ll try to avoid you
tomorrow.
They’d always whisper the word girl &
          meant millipede, guessed maybe she’d never known
the privilege of being alive, but we can’t be certain

          there are many ways to be kind, & I’m never
sure of locations, not accurately, not without
          thinking of what borders & who
can never touch.

          I don’t need a tag, a flag, a thin silk sheet, do
I? If I forgo my name, we can agree it’ll be
          alright; they could look between these great brown
thighs & sanction real languages. I could flatten,
          linguistically, atoms bumping, relearning from each
other as I—an imposter—look for another shapeless
          girl to surface.


AALIYAH ANDERSON is a Black and Asian American student at the University of Mary Washington planning to study English (Creative Writing). Her work appears in Beaver Mag, BarBar, coalitionworks, and elsewhere. Winner of the Poetry Society of America's 2024 Student Award, she is obsessed with intersectional storytelling. Miracle Monocle partnered with Hot Brown Press to produce the letterpress broadside of the winning poem, featured above.