“Traumatic Subjectivity and the Continuum of History: Hermann Nitsch’s Orgies Mysteries Theater,” Art History 36, no. 4 (September 2013): 834-863.
“Recycled Cinema as Material Ecology: Raphael Montañez Ortiz’s Found-Footage Films and Computer-Laser-Videos,” Screen 53, no. 3 (Autumn 2012): 228-245.
“The Image of the Artist in Performance Art: The Case of Rudolf Schwarzkogler,” Art and Documentation 5 (Autumn 2011): 63-80; reprinted in English in volume 8 (Spring 2013): 65-77.
Translator, Rudolf Schwarzkogler, “Panorama 1: The Total Act Manifesto” (1965), Art and Documentation 5 (Autumn 2011): 143.
Chapters in Books
“Expanded Cinema,” in Meiling Cheng and Gabrielle Cody, eds., Reading Contemporary Performance: Theatricality Across Genres (New York: Routledge), forthcoming 2015.
“The Audience Cries Back,” in Kathryn Brown, ed., Interactive Contemporary Art: Participation in Practice (London: I.B. Tauris, 2014), 155-175.
“Keeping Score: Considering Performance Texts as Artists’ Writings,” in Helena De Preester, ed., Not a Day Without a Line – Understanding Artists’ Writings (Ghent, Belgium: Academia Press, 2013), 106-126.
“‘The Grünewald of Happenings’—On Traumatic Subjectivity,” in Aaron Levy, ed., Blood Orgies: Hermann Nitsch in America (Philadelphia: Slought Books, 2008), 94-115.
“An Interview with Billie Maciunas,” in Ken Friedman, ed., The Fluxus Reader (London: Academy Editions, 1998), 199-211.
Project 2: Defining Installation, Zephyr Gallery, Louisville, April 4–May 24, 2014
The Art of Experience: Fluxus Works From the Collection of Michael Lowe, Cressman Center for the Visual Arts, University of Louisville, November 7, 2008–January 9, 2009.
Editor and “Introduction,” The Art of Experience: Fluxus Works from the Collection of Michael Lowe, exh. cat. (University of Louisville, Department of Fine Arts, 2008).
Introduction to Art History: Renaissance to Present
Art Since 1945
Modern Perspectives in the Visual Arts
History of Performance Art
Pop Art & Fluxus
Representations of Trauma in the Visual Arts
Women in Performance Art
History of Documenta
Art & Feminism
Seeing Gender: Introduction to Gender in Visual Studies
Economic Histories of the Arts
Honors and Awards
Outstanding Faculty Mentor of Doctoral Students Award, Nominee, 2012
Modern and Contemporary Art History
Critical Theory and Method
Research Areas and Projects
Intersections of Art and Science