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Christopher Fulton, Ph.D

Appointments

  • Associate Professor

Departments

Location

  • Room 150, Lutz Hall
  • Belknap Campus

Phone Number

  • 502-852-7629

Email Address

Website


Bio

Christopher

Educational Background

  • M.A., Institute of Fine Arts, NYU, 1983
  • Ph.D., Columbia University, 1993

Publications

  • Neobarroco Mexicano, the ins and outs

    “Neobarroco Mexicano, the ins and outs,” Baroque Tendencies in Contemporary Art, ed. Kelly Wacker, New York, Cambridge Scholars Press, 2008, pp. 164-191.

  • El éxodo español y el arte moderno en México: La migración de un ideal humanista

    “El éxodo español y el arte moderno en México: La migración de un ideal humanista,” Goya, 321, November-December 2007, pp. 365-382.

  • An Earthly Paradise: The Medici, Their Art, and the Foundations of Modern Art

    An Earthly Paradise: The Medici, Their Art, and the Foundations of Modern Art, Florence, Leo S. Olschki, 2006.

  • Review of Dario A. Covi, Andrea del Verrocchio: Life and Work, The Art Book

    Review of Dario A. Covi, Andrea del Verrocchio: Life and Work, The Art Book, February 2007, pp. 1-4. 

  • Savonarola’s Risorgimento: Images of the Prophet from the Ottocento.

    “Savonarola’s Risorgimento: Images of the Prophet from the Ottocento.” Una città e il suo profeta: Firenze di fronte al Savonarola, ed. Gian Carlo Garfagnini, Florence, Sismel, 2002, pp. 513-32.

  • Toward a Dialectical-Materialist History of Art.

    “Toward a Dialectical-Materialist History of Art.” Rethinking Marxism, 11:4, Winter 1999,  pp. 1-25.

  • Present at the Inception: Donatello and the Origins of Sixteenth-Century Mannerism

    “Present at the Inception: Donatello and the Origins of Sixteenth-Century Mannerism.”  Zeitschrift für Kunstgeschichte, 60, 1997, pp. 166-99.

  • The Boy Stripped Bare by His Elders: Art and Adolescence in Renaissance Florence.

    “The Boy Stripped Bare by His Elders: Art and Adolescence in Renaissance Florence.”  Art Journal, Summer 1997, pp. 31-40.

  • The Prophet’s Image

    “The Prophet’s Image,” Machiavelli Studies, 5, 1996, pp. 79-118.

  • The Master IO.F.F. and the Function of Plaquettes

    “The Master IO.F.F. and the Function of Plaquettes,” Studies in the History of Art, 22, 1989, pp. 143-62.

  • Modernist Idylls: Nature and the Avant-Garde

    Modernist Idylls: Nature and the Avant-Garde, 1905-1930, exh. cat, Allentown, Allentown Art  Museum, 1987.

  • Westward Traces: Images on Paper from the Dietrich American Foundation

    Westward Traces: Images on Paper from the Dietrich American Foundation, with Deborah  Rebuck and Mary Brod, exh. cat., Philadelphia: The Dietrich American Foundation, 1986.

  • Cuauhtémoc Awakened

    “Cuauhtémoc Awakened,” Estudios de Historia Moderna y Contemporánea de México, 35, January-June 2008, pp. 5-47.

  • Cuauhtémoc Regained

    “Cuauhtémoc Regained,” Estudios de Historia Moderna y Contemporánea de México, 36, July-December 2008, pp. 5-43.

  • Siqueiros against the Myth: Paeans to Cuauhtémoc, Last of the Aztec Emperors

    “Siqueiros against the Myth: Paeans to Cuauhtémoc, Last of the Aztec Emperors,” Oxford Art Journal, 32:1, 2009, pp. 67-93.

  • En una tierra más allá: Refugiados de la Guerra Civil y la estética del exilio

    “En una tierra más allá: Refugiados de la Guerra Civil y la estética del exilio,” in Arte en tiempos de guerra, ed. Wilfredo Rincón García, Amelia López-Yarto Elizade, Miguel Cabañas Bravo, XIV Jornadas Internacionales de Historia del Arte, Madrid, Consejo Superior de Investigaciones Científicas, 2009, pp. 343-353.

  • Siqueiros's Experimental Landscapes

    "Siqueiros's Experimental Landscapes," Zeitschrift für Kunstgeschichte (in press).

  • Corpus of Northern Renaissance Drawings in Midwestern Collections

    Seven catalogue entries for the Corpus of Northern Renaissance Drawings in Midwestern Collections, ed. Burton Dunbar and Edward J. Olszewski (in press).

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