Description: Digging into the origin of the very word hybrid, you come across a Latin term rarely used before 1850; the term is IBRIDA. Hybrid/ Ibrida is considered an amalgamation of disparate parts resulting in a uniquely homogenized whole. A curious collection of biomorphic forms inspired by botany, entomology, and human anatomy embody my sculptural work. The inside turns outside, the micro turns macro and each piece conveys human attributes through poise and posture. I invite my audience to approach each piece with thoughts of wonder, possibility, protection and vulnerability during my Master’s Thesis Exhibit at The Falls of the Ohio Interpretive Center.
Description: Featuring the work of a Louisville, Kentucky-based collective of female artists known as ENID. The name is taken from that of the first recognized female sculptor from Louisville, Enid Yandell. Yandell (1869-1924) successfully competed against male artists of her period, winning many important commissions. Notably, she worked on the famous 1893 World’s Columbian Exposition (and World Fair) in Chicago. Yandell went on to become a member of the National Sculpture Society, the oldest organization of professional sculptors in the United States. In 1998, a group of local female artisans formed a collective to promote their own sculptural works. They decided to also promote the memory of their pioneering predecessor by naming their group ENID, in honor of Yandell. Today, the collective shows its work throughout the Ohio Valley region. Members’ ages range from 33-88 years with several members having varying levels of education, from self-taught sculptors through those with graduate degrees. Fifteen artists will be featured in the exhibition including Shawn Marshall, Valerie Fuchs, Joyce Ogden, Gayle Cerlan, Cynthia Reynolds, Suzanne Mitchell, Sarah Frederick, Gloria Wachtel, Mary Dennis Kannapell, Jeanne Dueber, Jacque Parsley, Fran Kratzok, Elizabeth Kirkwood, Caren Cunningham, and Ewing Fahey.
Description: The exhibition of over 100 works of art and artifacts includes a wide variety of textiles, and examples of craftwork in leather, metal, glass, jewelry, felt, stone and clay. Textiles span a range of uses, including camel bags, pillows, curtains, fans, hats, shoes and window hangings. Metal wares cover a gamut from silver and brass vessels, jewelry, and braziers to drinking and cooking vessels and inlaid trays. Wooden objects include antique wood lattice windows from Egypt (mushrabbiya). The exhibition features works of art drawn from the Gray Henry collection, whose family has had a presence in Egypt since 1925.
Description: The Hite Art Institute and the Jewish Community Center present this lecture in conjunction with the Exhibition held at the Jewish Community Center Gallery. Arturo Alonzo Sandoval, Professor of Art at the
University of Kentucky, creates a new aesthetic
with his contemporary fiber art objects using
20th Century recycled industrial materials such
as computer tape, battery cable, microfilm,
Mylar, holographic film and Lurex. Using a floor
loom, sewing machine, or hand interlacing
techniques he constructs works that are
visually and technically complex.
Sandoval’s fiber mixed media art works are in
numerous collections including the Museum
of Modern Art, The Museum of Art and Design
NY. His works have been exhibited extensively
regionally and nationally and have included the
8th and 14th Biennial of Tapestry in Lausanne,
Switzerland and the Textile Triennial in Lodz,
Poland. His creative efforts have been awarded
two NEA Visual Arts Fellowships.
Description: Saying only “Beuys B Boys,” defendant JP Begley has thrown himself on the mercy of the Court of Public Opinion. He has sworn to tell the only the truth, and the whole truth; the evidence is on display, defense witnesses assembled. The prosecution has put the case before the jury. The verdict will be final. In or out, up or down, Yes or No, it’s in the jury’s hands to render a decision, to draw the line. It's time to uphold standards, vote for quality, eliminate the nonsense, and exercise your judgment.
Now you decide. When was the last time an exhibition asked for your opinion?
Description: The University of Louisville Hite Art Institute is pleased to announce a panel discussion inspired by the current exhibition ENID: 2013 to be held in the Seminar Room of the Cressman Center, 100 E. Main Street on Friday, February 1, 6-7pm. Dr. Decker of Georgetown University, Mary Dennis Kannapell of Pyro Gallery, a Louisville native sculptor Andrew Cozzens, and an avid public arts advocate Chris Radtke will participate in a discussion guided by moderator and exhibition coordinator Stacey Reason concerning Louisvillian and sculptor Enid Yandell, the condition of contemporary sculpture in regards to the exhibition, and sculpture as public art. The conversation will be lively and enriched with local art history, highlighting the recent and past achievement of the artists featured by the exhibition, while emphasizing the growing presence of public art in Louisville.