Performer Bios - The Music eX Series
Dror Biran's playing has been described in Die Bleed as "powerful, but also beautiful sensitive, brilliant but full of artistry, seductively lyrical but intensely dramatic at the climaxes". The Plain Dealer added "his fortissimos crashed and roared, but next to them came pianissimos that whispered seductively...he has technique to burn and uses it effectively..."
His superb tonal control combined with interesting phrasing and voicing has won him consistent critical acclaim and enthusiastic audience.
Born in Israel, Dr. Biran is a top prize winner of several national and international piano competitions. He is a graduate of the Givataim Conservatory where he studied with Mrs. Lily Dorfman and The Rubin Academy of Music at Tel-Aviv University where he studied with Prof. Arie Vardi. In addition he received his Doctoral degree from The Cleveland Institute of Music where he studied with Mr. Paul Schenly and Dr. Daniel Shapiro.
Dror Biran won top prizes at the M.K Ciurlionis International Piano Competition (1995), and the Cleveland International Piano Competition (1997) where he also received a special prize for the best performance of works by Chopin. His honors include the first prize at the "Pilar Bayona International Piano Competition" in Zaragoza, Spain (1998), first prize at the Israeli Rubin Academy Piano Competition (1998), and the Rafi Goralnik prize for pianists, in the Aviv Competition 2000. Dr. Biran has been a recipient of multiple the scholarships from the America-Israel Cultural Foundation for distinguished musicians.
Dr. Biran has performed widely as a soloist with major orchestras including the Lithuanian Philharmonic Orchestra, RTVE Symphony Orchestra of Spain, The Louisville Orchestra, Johannesburg Philharmonic Orchestra, Cape Town Philharmonic Orchestra, and the Israel Philharmonic Orchestra. He has played under the batons of Etinger, Rodan, Gueller, Gacia Asensio, Lane and others. His concert tours have taken him to the United States, Eastern and Western Europe, Israel and South Africa.
As a chamber musician Dr. Biran has appeared on a regular basis with different music ensembles such as Carmel and Aviv String Quartets, he has also performed with members of The Cleveland Orchestra in different venues. His concerts have been broadcast by WCLV, WQXR, The Voice of Music -- Israel, Classic FM South Africa among others. Dr. Biran can be heard on the JMC (Jerusalem Music Centre) labels featuring ballades by Brahms and Chopin.
Dr. Biran taught at Youngstown State University and Case Western Reserve University. Currently Dr. Biran teaches at University of Louisville School of Music in Kentucky as an Assistant Professor of Piano. His future engagements includes chamber and solo concerts in USA, Europe, Israel and South Africa.
Max Rabinovitsj attended the Royal Brussels Conservatory of Music (Belgium) and is a graduate of The Curtis Institute of Music. He has been the concertmaster of the Ottawa (Ontario) Philharmonic, the New Orleans Symphony, the Cincinnati Symphony, the Saint Louis Symphony, the Nice (France) Orchestra, and the Gulbenkian (Portugal) Orchestra. He was also Associate Conductor of the Nice and Gulbenkian Orchestras. In chamber music, he participated in the Marlboro Music Festival for six years, founded the Saint Louis String Quartet, which was in residence at Washington University. In Europe, he founded the Trio da Vinci, which toured extensively on that continent. He was Director of Festivals in Entrecasteaux, France, Sintra and Evora, Portugal, and Tangiers, Morocco.
Max made his debut as a solo recitalist in New York City at Alice Tully Hall, in Lincoln Center, and performed the Bach Double Concerto in Carnegie Hall with Isaac Stern. As a conductor, he became well known for his interpretations of the classical repertoire and his work with youth orchestras. He conducted great artists such as Mstislav Rostropovich, Jaime Laredo, Gil Shaham, Viktoria Mullova, Maria Joao Pires, Walter Ponce, David Gueringas, Roger Pascal, Pierre Amoyal and many others. As soloist, Max has performed under James Levine, Leon Fleisher, Max Rudolf, Thomas Mayer, Walter Susskind, Vladimir Goldschman, Jerzy Semkov, Lukas Foss, Claudio Scimone, Eleazar De Carvalho, Michel Tabachnik and Philippe Bender.
Max has been Professor at Washington University, the University of Texas and the University of Evora (Portugal). He has also taught at the Nice Conservatory (France). He is a member of the Monticello String Quartet and Visiting Professor at James Madison University (Virginia). He is currently residing in Charlottesville, Virginia with his wife, Mary. He met his wife, a harpist, when they were both students at The Curtis Institute of Music.
J. Patrick Rafferty served as Concertmaster of the Milwaukee Symphony Orchestra from 1986-1991. He previously served as Associate Concertmaster of the Dallas Symphony for eight years, and as Concertmaster for the Dallas Bach and Fine Arts Orchestras. He has also served as Acting Concertmaster of the San Diego Symphony Orchestra, and Guest Concertmaster of the Seattle Symphony. His concerto credits include more than 40 works performed as soloist with such orchestras as the St. Louis Symphony, the Cincinnati Symphony, the Dallas Symphony, the Milwaukee Symphony, and many others. As a recitalist, Mr. Rafferty has performed in many major cities throughout the United States, including a recent series of performances of all ten Beethoven Sonatas in New York City. Teaching positions have included the University of Wisconsin-Milwaukee and the University of Alabama, and currently, the University of Louisville, where he is first violinist with the Louisville String Quartet. He is also on the summer artist faculty of the Brevard Music Center in North Carolina, where he is concertmaster of the Brevard Music Center Orchestra. His former students perform and teach in many of the USA’s major symphonies and schools.
Violinist Brittany MacWilliams has an active career both as performer and educator. She made her professional violin debut at age ten with the Louisville Orchestra and went on to win numerous competitions including the Music Teachers National Association competition. Since then, Ms. MacWilliams has performed extensively as soloist and concertmaster in such diverse locales as Istanbul, Beijing, Salzburg, Munich, Lisbon, and New York. She has had solo engagements with such orchestras as the Cincinnati Symphony Orchestra, Louisville Orchestra, Munich Hochshule Orchestra, Kentucky Symphony, and Aspen Chamber Symphony. Ms. MacWilliams can be heard as soloist on two critically acclaimed compact discs of Giornovichi Violin Concerti for the Arte Nova Classics/BMG label. As a an avid chamber musician, Ms. MacWilliams is a founding member of the Baur Quartet and the Xavier Trio and has recorded four compact discs for the Vital Sounds label, including the Ten Celebrated String Quartets of W.A. Mozart. She was chosen as resident artist for the Next Generation Music Festival where she toured and performed with the Baur Quartet and pianist Awadagin Pratt. Ms. MacWilliams was the first winner of the prestigious Dorothy Richard Starling Teaching Fellowship in 2001, and she has taught at the University of Cincinnati College-Conservatory of Music and at Xavier University. Ms. MacWilliams is currently a member of the violin faculty at the University of Louisville School of Music and is also the founder and director of the Oldham County Chamber Ensemble.
Dominic DeStefano, viola
Dominic DeStefano has been featured in performances as a recitalist and chamber musician throughout North America, Europe, Asia, and Australia. After completing doctoral studies with his long-term mentors, Masao Kawasaki and Catharine Carroll, he joined the viola faculty of the University of Cincinnati College-Conservatory of Music (CCM) and became a teaching fellow at the Aspen Music Festival and School. DeStefano currently teaches viola at University of Louisville School of Music, CCM, and the Great Wall International Music Academy in Beijing, as well as in the Starling Preparatory String Project in Cincinnati and the internet teaching project ViolinMasterclass Live. As an orchestral musician he has been a member of the Lucerne Festival Academy Orchestra in Switzerland and Aspen Chamber Symphony in Colorado.
Recent performances include recitals at the National Underground Railroad Freedom Center and the University of Queensland, Australia. A proponent of new music, he performs many new works, including his own, and has been featured on the Fresh Ink series in Aspen and the Sonic Explorations and Fringe Festival series in Cincinnati. Particularly interested in electroacoustic performance, he has worked with Pierre Boulez, IRCAM Paris, and Ensemble Intercontemporain. Current research interests focus on spectral music and the pedagogy of microtonal intonation. Also interested in arts advocacy, DeStefano served as General Manager of the 2010 International Viola Congress and is currently Managing Director of Starling Project Foundation.
Recently hailed by The New York Times for his “warm-toned” performance of Lutosławski’s Grave (Metamorphoses), cellist Paul York is an accomplished soloist, chamber musician, and teacher. He currently serves on the string faculty at the University of Louisville, where he maintains an active teaching and performing schedule. Recent solo appearances include performances of Karel Husa’s Concerto for Violincello and Orchestra at New York’s Carnegie Hall, Aaron Jay Kernis’s Colored Field for Cello and Orchestra with the Louisville Orchestra, and Vivaldi’s Double Concerto in G Minor with internationally acclaimed cellist Yo-Yo Ma. Of his performance at Carnegie Hall, New York Concert Review said “The fiendishly difficult solo part was brilliantly played by cellist Paul York; one had to be in awe of his playing.”
An avid chamber musician, Mr. York is a member of the Louisville String Quartet and was a founding member of The Logsdon Chamber Ensemble, a Texas Commission of the Arts Touring ensemble as well as ensemble-in-residence at Hardin-Simmons University. In April of 2006, he performed recitals throughout Japan. As a champion of contemporary music, Mr. York has commissioned works for the cello by such composers as Stefan Freund, Marc Satterwhite, Steve Rouse, Paul Brink, Douglas Knehans, and Fredrick Speck. He also premiered the work Ballad for Solo Cello and Seven Cellos by Grawemeyer and Pulitzer Prize winning composer, Aaron Jay Kernis as well as Alfred Bartles' new orchestration of Bartok’s First Rhapsody for cello with the Sewanee Festival Orchestra.
Mr. York has participated in numerous summer festivals. He is currently a member of the artist faculty at the Sewanee Summer Music Festival, where he performs solo and chamber works, in addition to his teaching schedule. He has also performed at Strings in the Mountains in Colorado, Accent 09 and 11 at the Cincinnati Conservatory of Music, the Abilene Chamber Music Series, and served as principal cello with the Des Moines Metro Opera Orchestra. He has held principal cello positions with numerous regional orchestras and performed as a member of the cello section of the Saint Louis Symphony under the direction of Leonard Slatkin.
r. York received his bachelor’s degree from the University of Southern California and his master of music degree from the University of California at Santa Barbara, where he studied with Ronald Leonard. Other teachers include Gabor Rejto, and Louis Potter. The recipient of numerous honors and awards, Mr. York was selected to participate in the prestigious Piatigorsky seminar at the University of South California and recently received a Distinguished Faculty Award from the University of Louisville. Mr. York can be heard on the Centaur, Arizona University Press, Ablaze, and CRS labels. His latest CD of premiere recordings entitled Cello Vision has recently been released on the Centaur label.