2006:

Rebecca Block, “What is Good Feedback?: Pedagogy and Practice in the Creative Writing Workshop."

Susan Bryant, "What are words for? Mediated Language and Mulchy nostalgia in the Works of Rae Armantrout."

Roxana Cazan, (Creative-fiction) "Anamnesis."

Azor Cigelske, "An Addendum to Tutor Training: Negotiating Reading Out Loud in Writing Center Sessions."

Melissa Cline, "The Shoppers Regenge: An Analysis of Subversion in Gerty MacDowell and Molly Bloom."

Sue Ann Compton, "Dickens's Wemmick, A Probable Rode Model for Pip."

Jim Corbit, (Creative-fiction) “A Truth Beyond Illusion."

Asma Gulzer, (Creative-fiction) "American Cars."

Jed Hilbert, "Objects of Desire: Lacanian Desire in Respect to Laura Kipnis' Against Love."

Becky Kelley, (Creative-fiction) “Savage Bounty."

Vanessa Kraemer, "Letters to Lincoln: The Epideictic Rhetoric of Eliza Pl Gurney."

Megan Lott, "History Repeating: The Sopranos Through the Lens of the 18th Century Crime Novels."

James Peterson III, (Creative-fiction) “All Ariel’s Men."

Robert Ritchie, (Creative-fiction) “Ukiyo."

David Thimme, “Grounding Buddhist Philosophy: Gary Snyder and the Gap between Riprap and Metaphysics."

Linda Torok, (Creative-fiction) "The Innoncents."

Jennifer Towns, "The Dog Days of England, or How Richard is a Dirty Pig: Implications of Animal Imagery and Gender in Shakespeare's Richard III."

2005:

Tabetha Adkins, "A Label Like Gucci, Versace, or Birkenstock: Sex and the City and Queer Identity."

Marina Ajanovic, "Otherness and Masculinity in Shakespeare's Othello."

Richard Boada, (Creative-poetry) "La Calle Real."

Allison Egnew, (Creative-fiction) “The Breakfast Table."

Patricia Harpring, "High Fidelity and Economics: Inventing a Capitalist Culutral Narrative for Slackers."

Georgina Henker, (Creative-Non fiction) “Whose Woods These are: Portraits of my childhood in New England."

Allison Hoffert, "Searching for Community: Racial alliance and implied readership in Harriet Jacob's Incidents in the Life of a Slave Girl."

Anca Iancu, "I Am Not That I Play: Twelfth Night in Postcommunist Romania."

Jennifer Komis, (Creative-fiction) “Lilia’s Story."

James Leary, (Creative-fiction) “The Unknown Life of Rocket and Noots."

Michelle Miller, "The Two-Edged Sword: Zora Neale Hurston's signification of the African-American Preacher."

Nathan Ragland, “Writing Center Tutorials and Sex Differences in Nonverbal Communication."

David Rowland, (Creative –Screenplay) “Ordering Alice."

Eloise Saglio, "Thomas Shepard and Puritan Ideology in Susan Howe's The Birth-mark."

Sarah White, (Creative-fiction) “My Kentucky: A Creative Thesis."

2004:

Maria Accardi, "Everyone's Sister: Identity, Assimilation, and Citizenship in Sister Blandina Segale's At the End of the Santa Fe Trail."

Brian Baker, "An Antecedent of Modern Horror: The Love-Death Nexus in John Webster's The Duchess of Malfi."

Carrie Besser, "Quit Asking Questions: The Problematic Treatment of Family History in Richard Wright's Black Boy.

Jill Erwin, (Creative-fiction) "In My Room."

Jessica Farquhar, (Creative-poetry)"Poetry."

Kelly Gilcrease, (Creative-fiction) "A Snake Out of Season."

Jeremy Justus, "Ever Forward Back: Temporal Crisis in Vonnegut's Slaughterhouse Five."

Heather Lehocky, (Creative-fiction) "The Speed of Life."

Nanita Morgan, "Social Order and Reform: The Explotation of the Disabled Female Figure in Nineteenth-Century Sentimental Fiction."< /p>

Stuart Neff, (Creative-fiction) "At the Rim."

Mark Parson, "The Turn of the Screw."

Jeremy Shraffenberger, "Collaborative Narrative: Anti-Feminism and Dialogism in Role Playing Games."

Michael Sohan, "The Sun Dance: Theory, Green Grass, Running Water, and Terrorism."

Alexander Thompson, (Creative-screenplay) "Absolute Presence: A Play in One Act."

Kelly Whetley, (Creative-fiction) "What' Underneath."

Krista Wilson, (Creative-fiction& poetry) "The Bread They Mistook for a Kiss: Identity, Connectedness and the Articulation of the Self."

Jason Zahrndt, "Word, Image, Intertext: Intertexuality, Narrative, and Comic Arts."

2003:

Krista Cox, "Mesmerism in Hawthorne and James."

Brittany Ducker, "The Garies and Their Friends in Context of Nineteenth Century Black Nationalism."

Jay Freund, "Was It Really Progress? Mark Twain's Critique of Discrimination and Segregation in The Adventures of Huckleberry Finn."

Jo Ann Griffin, "Exit Laughing: Persuasive Reform Humor of Three Nineteenth-Century Women."

Tammy Lubash, "A Case for Teaching Grammar: Pronoun Instruction in a Technical College Classroom."

Amy Miller, "Stuck in the Middle With You: Freud's Masterplot and Memento."

Mary Rotella, (Creative-screenplay) "Patience: A Play in Two Acts."

Kim Sanders, "The Medieval Merlin."

Michelle Sherrad, "Elucidating the Medieval Paradox: Lunete, Agency, and the Feminine Ideal in Chretien de Troyes."